| 2010 |
(forthcoming) Kate Hennessy. From Intangible Cultural Expression to Digital |
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Cultural Heritage. In Touching the Intangible. Heritage Matters Series. Peter Davis, ed. |
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Boydell & Brewer. |
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| 2010 |
(In Press) Robin Ridington, Jillian Ridington, Patrick Moore, Kate Hennessy, and Amber Ridington. |
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Ethnopoetic Translation and New Media. In Born in the Blood: On Native American Translation. |
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Brian Swann, ed. Lincoln and London: University of Nebraska Press. |
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| 2010 |
(in Press) Kate Hennessy. "You Tell Them the Important Stories": Participatory Digital |
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Ethnography in Northeastern British Columbia. Visual Anthropology Review, Special Issue: Beyond e- |
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Text: Exploring the Possibilities and Challenges of Digital Ethnography. [Online Preview] |
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| 2010 |
Kate Hennessy. Asymetrical Translations: The Art of John Wynne In borderzones.ca: The Ideas |
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Behind the Exhibit. BorderZones, curated by Karen Duffek. The Museum of Anthropology |
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at the University of British Columbia. http://www.borderzones.ca/features_jw.html |
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Kate Hennessy and Craig Campbell. A New Website for the Society for Visual Anthropology. |
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American Anthropologist 111(3):387-390. [PDF] |
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| 2009b |
Kate Hennessy. A Ituvatuva Ni Vakadidike E Sawau: The Sawau Project DVD |
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(Interactive Media Review). Visual Anthropology Review 25(1):90-92. [PDF] |
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| 2009c |
Kate Hennessy. Virtual Repatriation and Digital Cultural Heritage: The Ethics of |
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Managing Online Collections. Anthropology News (April 2009):5-6. [PDF] |
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| 2008a |
Mike Ananny and Kate Hennessy. The Future of Public Institutions: New Media, the Press, |
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and the Museum. (Symposium Report) Canadian Issues (Summer 2008):50-52. [PDF] |
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| 2008b |
Kate Hennessy. The Whale Hunt: An Online Media Project by Jonathan Harris (Interactive Media |
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Review). Museum Anthropology Review 2(2):132-135. [PDF] |
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| 2008c |
Amber Ridington and Kate Hennessy. Building Indigenous Agency Through Web-Based |
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Exhibition: Dane-Wajich – Dane-zaa Stories and Songs: Dreamers and the Land. |
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in J. Trant and D. Bearman (eds.). Museums and the Web 2008: Proceedings, Toronto: Archives |
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& Museum Informatics, published March 1, 2008 at |
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http://www.archimuse.com/mw2008/papers/ridington/ridington.html |
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| 2006a |
Patrick Moore and Kate Hennessy. New Technologies and Contested Ideologies: The Tagish
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First Voices Project. American Indian Quarterly, Special Issue: Indigenous Languages and Indigenous |
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Literatures 30 (1-2):119-137. [PDF] |
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| 2006b |
Kate Hennessy. Repatriation and Collaborative Digital Media Projects in Northern Athapaskan |
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Communities. Meridian, Newsletter of the Canadian Polar Commission (Spring/ Summer)11-15. |
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| 2006c |
Kate Hennessy and Patrick Moore. Language, Identity and Community Control: The Tagish |
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First Voices Project. In Information Technology and Indigenous People. E. Dyson, M. Hendriks |
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and S. Grant, eds. Hershey, PA: Idea Group. |
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| 2005 |
Kate Hennessy. Galiano Island. In Islands in the Salish Sea: A Community Atlas. S. Harrington |
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and J. Stevenson, eds. Pp. 63. Victoria, Vancouver and Calgary: TouchWood Editions. |
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| 2004a |
Peter Biella, Kate Hennessy and Peter Orth. Essential Messages: The Design of Culture-Specific
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HIV/AIDS Media. Visual Anthropology Review 19 (1-2):13-56. [PDF] |
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| 2004b |
Kate Hennessy (web author). Visual Anthropology Review 19(1-2), companion CD-ROM.
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| 2002 |
Kate Hennessy. Techthonic Space: Chungking Mansions, Media, and Hong Kong. |
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MA Thesis, University of London, School of Oriental and African Studies. |